Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Circle of Mateo Cerezo the Younger
Immaculate Virgin

ID: 92279

Circle of Mateo Cerezo the Younger Immaculate Virgin
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Circle of Mateo Cerezo the Younger Immaculate Virgin


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Circle of Mateo Cerezo the Younger

painted Immaculate Virgin, formerly in the Chapel of Palacio de Penaranda, Spain in 17th century   Related Paintings of Circle of Mateo Cerezo the Younger :. | Adoration fo the Mystic Lamb,from the Ghent Altarpiece | Pentecost | Arranges in order Zha Kefu especially the portrait | Moonlight,Nagakubo (nn03) | The Expulsion of Hagar |
Related Artists:
Klimt, Gustav
Austrian Art Nouveau Painter, 1862-1918 Artist Gustav Klimt, like composer Gustav Mahler, philosopher Ludwig Wittgenstein and big-time thinker Sigmund Freud, was a hotshot of Vienna's glory days as it ushered in the 20th century. Influenced by Impressionism, Symbolism and Art Nouveau, Klimt founded the Vienna Secession (1898), an avant-garde art movement that included a broad base of artisans and craftsmen as well as painters. Klimt himself was known more for elaborate graphic schemes than "painterly" work -- his most famous piece, The Kiss (1908), shows his distinctive gold-encrusted decorations over a semi-realistic portrait of an embracing couple. He used the framework of myth and allegory and he painted women, in ornate portraits and erotic exposures that were scandalous by Victorian-era standards. He also had time for more than painting -- after his death he was credited with as many as 14 illegitimate children. A big influence on the decorative arts in Austria, his most famous paintings include Salome
Louis de Silvestre
(23 June 1675 - 11 April 1760) was a French portrait and history painter. He was court painter to King Augustus II of Poland, and director of the Royal Academy of Arts in Dresden. Sylvestre was born in Sceaux, south of Paris, the third son of Israel Silvestre, the notable engraver and drawing-master to the Dauphin himself. Louis was taught initially by his father, then trained under Charles Le Brun and Bon Boullogne; he completed his studies in Rome, where he met Carlo Maratta, whose work had a great influence on him. After his return to Paris, Sylvester entered the Royal Academy in 1702 and was appointed professor in 1706.
Lepicie, Nicolas Bernard
French Painter, 1735-1784






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