Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Circle of Mateo Cerezo the Younger
Immaculate Virgin

ID: 92279

Circle of Mateo Cerezo the Younger Immaculate Virgin
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Circle of Mateo Cerezo the Younger Immaculate Virgin


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Circle of Mateo Cerezo the Younger

painted Immaculate Virgin, formerly in the Chapel of Palacio de Penaranda, Spain in 17th century   Related Paintings of Circle of Mateo Cerezo the Younger :. | Arab or Arabic people and life. Orientalism oil paintings 294 | Envy | Humble man Street | Christ and the Lame | beethovenfrisen |
Related Artists:
Domenichino
1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
Pietro Cignaroli
Italian , Verona 1665-1720
Rutilio Manetti
Italian Baroque Era Painter , 1571 - 1639 was an Italian painter of late-Mannerism or proto-Baroque, active mainly in Siena. He was influenced and/or taught by the local artists Francesco Vanni and Ventura Salimbeni. He is known to have collaborated with Raffaele Vanni, the son of Francesco. He is known for the following works in Siena or nearby towns: Story of St Catherine and Pope Gregory (1597; Palazzo Pubblico), Baptism of Christ (1600; San Giovannino in Pantaneto); a fresco cycle of the Story of St Roch (1605-1610; San Rocco alla Lupa), Pope Alexander I freed from prison by an Angel from San Giovanni Battista in Sant'Ansano in Greti; a Temptation of Saint Anthony (1620, Sant'Agostino), a Death of Blessed Antonino Patrizi (Monticiano, 1616), a Blessed Domenico dal Pozzo at the table now in Certosa of Florence, a Birth of Virgin (1625, Church of Santa Maria dei Servi), and a painting (1628, Church of San Domenico). He painted a remarkable Allegory of the four seasons and a Parable of the blind men, now in private collections. He also contributed to the Casino Mediceo His style moved from one derived from Barocci to a more Caravaggesque manner after the first decade of the 1600s.






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